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Vol. 8

Volume VIII

Historically, cinema has always been uniquely positioned to examine relations of stillness and motion as it freezes substance into image and places it in curated time. Wading through coded choreographies, mixed-media montage, hybrid and experimental forms, and new platforms of screening and exhibition, this volume of PELIKULA explores this vivid potential in alternative trajectories of film practice.

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A JOURNAL OF PHILIPPINE CINEMA AND MOVING IMAGE

FAIR USE POLICY

This journal is published for educational use only, not for profit, and distributed free of charge. Copyright disclaimer under sections 184 and 185 of the Intellectual Property Code of the Philippines (Republic Act No. 8293) of 1997, allowance is made for “fair use” for purposes such as criticism, news reporting, teaching, scholarship, education, and research. Effort has been exerted to cite all sources. For inquiries, please contact us at pelikula.updiliman@up.edu.ph

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CONTACT US

pelikula.updiliman@up.edu.ph

UP Film Institute, University of the Philippines Diliman, Quezon City,

1101 Metro Manila, Philippines

Copyright © by UP Film Institute and authors. All rights reserved.

No part of this website and the journals may be reproduced in any form or by any means without the written permission of the copyright owner and the publisher.

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